Whats the best year for music that you have ever had though growing up right until today?? and why??
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Whats the best year for music that you have ever had though growing up right until today?? and why??
definately this year. there had been a whole bunch of good stuff released and there is way more to come this year. :D
1988/89 was an excellent year for music.
The Stone Roses started kicking ass and that music suited that hot summer so well.
I was going to say 1988 too as thats when raving really kicked off in England and as you said The Stone Roses were well on the scene.Quote:
Originally posted by chalice@17 June 2003 - 14:41
1988/89 was an excellent year for music.
The Stone Roses started kicking ass and that music suited that hot summer so well.
Oh it was a great year. :)
The Summer of '69 *lmao*
1993 when I became a Bon Jovi fan :)
this year when linkin park meteora was releaced
like 88'-96 when sublime was still touring :)
1999 was pretty damn good.
Wilco released Summerteeth
The Flaming Lips with The Soft Bulletin
Sparklehorse had Good Morning Spider
other stuff too, I think, but I can't recall now.
My "old" favourite YEAR is:
1749 = Johann Sebastian Bach's Die Kunst der Fuge (Art of the Fugue), BWV 1080 :P :P
...but all the most recent years have albums that I'm glad to remember... :rolleyes:
1963 = Beatles' first album - Modern Rock begins, imho ;)
1964 = Beatles' Meet the Beatles & Beatles for Sale
1965 = Beatles' Rubber Soul
1966 = Frank Zappa's Freak Out! - Beatles' Revolver - Beach Boys' Pet Sounds
1967 = Beatles' Sgt. Pepper's Lonely Hearts Club Band - Jimi Hendrix's Are You Experienced? & Axis: Bold as Love
1968 = Beatles' White Album - The Kinks' The Village Green Preservation Society - Jimi Hendrix's Electric Ladyland - Frank Zappa's We're Only in It for the Money
1969 = King Crimson's In the Court of the Crimson King - Led Zeppelin's first & second albums - Frank Zappa's Uncle Meat
1970 = Soft Machine's Third - Led Zeppelin's III - David Bowie's The Man Who Sold the World
1971 = The Who's Who's Next - Led Zeppelin IV - David Bowie's Hunky Dory
1972 = David Bowie's The Rise & Fall of Ziggy Stardust - Deep Purple's Made in Japan & Machine Head
1973 = Led Zeppelin's Houses of the Holy
1974 = Brian Eno's Here Come the Warm Jets - King Crismon's Red
1975 = Brian Eno's Taking Tiger Mountain (By Strategy) & Another Green World - Led Zeppelin's Physical Graffiti
1976 = David Bowie's Station to Station
1977 = David Bowie's Low & Heroes - Brian Eno's Before and After Science
1978 = Police's first album - Van Halen's First album - Peter Gabriel's Second album
1979 = XTC's Drums & Wires - Joe Jackson's Look Sharp! - Police's Reggatta de Blanc - David Bowie's Lodger
1980 = Peter Gabriel's third album - Police's Zenyatta Mondatta -David Bowie's Scary Monsters
1981 = King Crimson's Discipline - Japan's Tin Drum - Frank Zappa's Shut Up 'N Play Yer Guitar
1982 = Joe Jackson's Night and Day- Duran Duran's Rio - Peter Gabriel's IV - Police's Synchronicity - Toto's IV - Iron Maiden's The Number of the Beast
1983 = U2's War - David Bowie's Let's dance - Stevie Ray Vaughan's Texas Flood
1984 = Steve Morse's The Introduction - Chic's Believer - Van Halen's 1984 - U2's The Unforgettable Fire
1986 = Joe Jackson's Big World - David Lee Roth's Eat 'Em & Smile - Peter Gabriel's So
1987 = Joe Satriani's Surfing With the Alien - U2's The Joshua Tree
1988 = Iron Maiden's Seventh Son of a Seventh Son - Frank Zappa's Guitar
1989 = Madonna's Like a Prayer - Stevie Ray Vaughan's In Step
1990 = Steve Vai's Passion and Warfare - Eric Johnson's Ah Via Musicom
1991 = Nirvana's Nevermind - U2's Achtung Baby
1992 = Dream Theater's Images & Words
1993 = Nirvana's In Utero
1994 = Dream Theater's Awake
1995 = Dream Theater's A Change of Seasons
1996 = Jason Becker's Perspective - Eric Johnson's Venus Isle - Deep Purple's Purpendicular - Take That disbanded !! :rolleyes:
1997 = Robbie Williams' Life Thru a Lens :P ( fortunately Take That disbanded... :lol: )
1998 = Madonna's Ray of Light - Liquid Tension Experiment
1999 = Liquid Tension Experiment 2 - Eminem's The Slim Shady LP
2000 = Linkin Park's Hybrid Theory -Eminem's The Marshall Mathers LP -Steve Morse's Major Impacts
2001 = Robbie Williams' Sing When You're Winning
2002 = Dream Theater's Six Degrees of Inner Turbulence - The Eminem Show
2003 = Linkin Park's Meteora
..I only considered Rock Music since it seems to be the favourite genre for this Forum's visitors.
I would stick with 1986...Take care you all ! :)
the '80's because N.W.A was coming with there music that was good music( my opinion).
1966 - 2 reatest rock albums of all-time--Blonde on Blonde and Revolver--released.
1968 - White Album, Axis: Bold as Love, Electric Ladyland, John Wesley Harding, Astral Weeks, Music From Big Pink, Wheels of Fire, Waiting for the Sun, Beggar's Banquet, etc.
For me 1987...the year of
Appetite For Destruction - Guns 'N' Roses
B)
Hey! You can't say that!!Quote:
Originally posted by Goldwheelz@19 June 2003 - 15:15
For me 1987...the year of
Appetite For Destruction - Guns 'N' Roses
B)
That's what I was going to say :angry: :D
Definitley agree with the above!! B)
G'n'R Rule 4ever! :D B)
Jonno B)
going to agree with my old chum chalice here - great yearQuote:
Originally posted by chalice@17 June 2003 - 13:41
1988/89 was an excellent year for music.
The Stone Roses started kicking ass and that music suited that hot summer so well.
love the stone roses - better than any oasis, blur, guns ' n ' roses ( :P ), bon jovi ( :P ) any day !!!!
also happy mondays were close to this year too, wernt they?!!?
year...s... the early to mid seventies, gonna have a funky good time!
then disco kicked in oh dear.
1999..............eminem,limp bizkit,korn,everybody together in the same fuckin year,great videos....... ;)
like its already been said, 67= hendrix experience, and sgt peppers.
The early 80's - Long live 'New wave' !!!
I love that stuff!
Later.
There is a topic which exists named:10 Great Songs From 1 Great Year.
Check that out and you will find many great tracks from various years.
CrumbCat
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2003
gowd I would say that one of the wrost yearsQuote:
2003
btw great to see Ads old threads still alive :D
This year was built up to be the best year...some have past expectations and some have failed miserably...i guess A Perfect Circle's new album will decide whether it was a good year or a shit year :)
Music really went donwhill after 1995
Ummm Hogster...Vanilla Ice came out in 91 :lol:Quote:
Originally posted by Hogster@20 August 2003 - 13:41
Music really went donwhill after 1995
hey I used to love vanilia Ice when I was 9 :lol: :lol:Quote:
Ummm Hogster...Vanilla Ice came out in 91
oh yeah hang on what yeah did Kyle start signing Lucky?
Well I would say the early 90's. Lots of stuff happpened then, like Soundgarden, and Nirvana, or some other things I forgot.
1988 *shrudders*..........LMFAO *All music guide has kylie in the rock genre*Quote:
Originally posted by Hogster@20 August 2003 - 13:44
hey I used to love vanilia Ice when I was 9 :lol: :lol:Quote:
Ummm Hogster...Vanilla Ice came out in 91
oh yeah hang on what yeah did Kyle start signing Lucky?
l..l, rock on kylie...
Early 90's for Me :rolleyes:
BOT
1994 - Oasis smashed onto the scene with Definatley Maybe
brit pop reborn!
before that thugh stone roses and the smiths!
The 50's-60's (no single year) Bossa Nova Era - Hands Down!
Bossa Nova
Influenced by West coast jazz, in the 1950s composer Antonio Carlos Jobim helped to form Bossa Nova, a new music that blended together gentle Brazilian rhythms and melodies with cool-toned improvising; the rhythms are usually played lightly as 3-3-4-3-3 with beats 1, 4, 7, 11, and 14 being accented during every two-bars (played in 8/4 time). Joao Gilberto's soothing voice perfectly communicated the beauty of Jobim's music. The late '50s film Black Orpheus helped introduce Jobim's compositions to an American audience. Other important early exponents of bossa nova were guitarist Charlie Byrd, tenor saxophonist Stan Getz (Byrd and Getz teamed up for the highly influential Jazz/Samba), and housewife-turned-singer Astrud Gilberto — who, along with her husband (Joao) and Getz, made "The Girl From Ipanema" a huge hit. The very appealing bossa nova's popularity peaked in the mid-'60s, but it has remained a viable music style.
Antonio Carlos Jobim
http://image.allmusic.com/00/amg/pic...252867607k.jpg
It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil; and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.
Jobim's roots were always planted firmly in jazz; the records of Gerry Mulligan, Chet Baker, Barney Kessel and other West Coast jazz musicians made an enormous impact upon him in the 1950s. But he also claimed that the French impressionist composer Claude Debussy had a decisive influence upon his harmonies, and the Brazilian samba gave his music a uniquely exotic rhythmic underpinning. As a pianist, he usually kept things simple and melodically to the point with a touch that reminds some of Claude Thornhill, but some of his records show that he could also stretch out when given room. His guitar was limited mostly to gentle strumming of the syncopated rhythms, and he sang in a modest, slightly hoarse yet often hauntingly emotional manner.
Born in the Tijuca neighborhood of Rio, Jobim originally was headed for a career as an architect. Yet by the time he turned 20, the lure of music was too powerful, and so he started playing piano in nightclubs and working in recording studios. He made his first record in 1954 backing singer Bill Farr as the leader of "Tom and His Band" (Tom was Jobim's lifelong nickname), and he first found fame in 1956 when he teamed up with poet Vinícius de Moraes to provide part of the score for a play called Orfeo do Carnaval (later made into the famous film Black Orpheus). In 1958, the then-unknown Brazilian singer João Gilberto recorded some of Jobim's songs, which had the effect of launching the phenomenon known as bossa nova. Jobim's breakthrough outside Brazil occurred in 1962 when Stan Getz and Charlie Byrd scored a surprise hit with his tune "Desafinado" — and later that year, he and several other Brazilian musicians were invited to participate in a Carnegie Hall showcase. Fueled by Jobim's songs, the bossa nova became an international fad, and jazz musicians jumped on the bandwagon recording album after album of bossa novas until the trend ran out of commercial steam in the late '60s.
Jobim himself preferred the recording studios to touring, making several lovely albums of his music as a pianist, guitarist and singer for Verve, Warner Bros., Discovery, A&M, CTI, and MCA in the '60s and '70s, and Verve again in the last decade of his life. Early on, he started collaborating with arranger/conductor Claus Ogerman, whose subtle, caressing, occasionally moody charts gave his records a haunting ambience. When Brazilian music was in its American eclipse after the '60s, a victim of overexposure and the burgeoning rock revolution, Jobim retreated more into the background, concentrating much energy upon film and TV scores in Brazil. But by 1985, as the idea of world music and a second Brazilian wave gathered steam, Jobim started touring again with a group containing his second wife Ana Lontra, his son Paulo, daughter Elizabeth and various musician friends. At the time of his final concerts in Brazil in September 1993 and at Carnegie Hall in April 1994 (both available on Verve), Jobim at last was receiving the universal recognition he deserved, and a plethora of tribute albums and concerts followed in the wake of his sudden death in New York City of heart failure. Jobim's reputation as one of the great songwriters of the century is now secure, nowhere more so than on the jazz scene where every other set seems to contain at least one bossa nova.
If I were being put on a desert island, and was told I could only take 1 CD with me, it would be something by Antonio Carlos Jobim - no question about it.
If you are not familiar with Bossa Nova, and are a true music connoisseur, you have to give it a listen - you will be hooked.
Tchau!
CrumbCat
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The 50's-60's (no single year) Bossa Nova Era - Hands Down!
Bossa Nova
Influenced by West coast jazz, in the 1950s composer Antonio Carlos Jobim helped to form Bossa Nova, a new music that blended together gentle Brazilian rhythms and melodies with cool-toned improvising; the rhythms are usually played lightly as 3-3-4-3-3 with beats 1, 4, 7, 11, and 14 being accented during every two-bars (played in 8/4 time). Joao Gilberto's soothing voice perfectly communicated the beauty of Jobim's music. The late '50s film Black Orpheus helped introduce Jobim's compositions to an American audience. Other important early exponents of bossa nova were guitarist Charlie Byrd, tenor saxophonist Stan Getz (Byrd and Getz teamed up for the highly influential Jazz/Samba), and housewife-turned-singer Astrud Gilberto — who, along with her husband (Joao) and Getz, made "The Girl From Ipanema" a huge hit. The very appealing bossa nova's popularity peaked in the mid-'60s, but it has remained a viable music style.
Antonio Carlos Jobim
http://image.allmusic.com/00/amg/pic...252867607k.jpg
It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil; and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source.
Jobim's roots were always planted firmly in jazz; the records of Gerry Mulligan, Chet Baker, Barney Kessel and other West Coast jazz musicians made an enormous impact upon him in the 1950s. But he also claimed that the French impressionist composer Claude Debussy had a decisive influence upon his harmonies, and the Brazilian samba gave his music a uniquely exotic rhythmic underpinning. As a pianist, he usually kept things simple and melodically to the point with a touch that reminds some of Claude Thornhill, but some of his records show that he could also stretch out when given room. His guitar was limited mostly to gentle strumming of the syncopated rhythms, and he sang in a modest, slightly hoarse yet often hauntingly emotional manner.
Born in the Tijuca neighborhood of Rio, Jobim originally was headed for a career as an architect. Yet by the time he turned 20, the lure of music was too powerful, and so he started playing piano in nightclubs and working in recording studios. He made his first record in 1954 backing singer Bill Farr as the leader of "Tom and His Band" (Tom was Jobim's lifelong nickname), and he first found fame in 1956 when he teamed up with poet Vinícius de Moraes to provide part of the score for a play called Orfeo do Carnaval (later made into the famous film Black Orpheus). In 1958, the then-unknown Brazilian singer João Gilberto recorded some of Jobim's songs, which had the effect of launching the phenomenon known as bossa nova. Jobim's breakthrough outside Brazil occurred in 1962 when Stan Getz and Charlie Byrd scored a surprise hit with his tune "Desafinado" — and later that year, he and several other Brazilian musicians were invited to participate in a Carnegie Hall showcase. Fueled by Jobim's songs, the bossa nova became an international fad, and jazz musicians jumped on the bandwagon recording album after album of bossa novas until the trend ran out of commercial steam in the late '60s.
Jobim himself preferred the recording studios to touring, making several lovely albums of his music as a pianist, guitarist and singer for Verve, Warner Bros., Discovery, A&M, CTI, and MCA in the '60s and '70s, and Verve again in the last decade of his life. Early on, he started collaborating with arranger/conductor Claus Ogerman, whose subtle, caressing, occasionally moody charts gave his records a haunting ambience. When Brazilian music was in its American eclipse after the '60s, a victim of overexposure and the burgeoning rock revolution, Jobim retreated more into the background, concentrating much energy upon film and TV scores in Brazil. But by 1985, as the idea of world music and a second Brazilian wave gathered steam, Jobim started touring again with a group containing his second wife Ana Lontra, his son Paulo, daughter Elizabeth and various musician friends. At the time of his final concerts in Brazil in September 1993 and at Carnegie Hall in April 1994 (both available on Verve), Jobim at last was receiving the universal recognition he deserved, and a plethora of tribute albums and concerts followed in the wake of his sudden death in New York City of heart failure. Jobim's reputation as one of the great songwriters of the century is now secure, nowhere more so than on the jazz scene where every other set seems to contain at least one bossa nova.
If I were being put on a desert island, and was told I could only take 1 CD with me, it would be something by Antonio Carlos Jobim - no question about it.
If you are not familiar with Bossa Nova, and are a true music connoisseur, you have to give it a listen - you will be hooked.
Tchau!
CrumbCat
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