I am confused as to which is the best site for music.
from what I have browsed arnd, seems to be waffles or what?
Help me out peepz :)
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I am confused as to which is the best site for music.
from what I have browsed arnd, seems to be waffles or what?
Help me out peepz :)
What has the most variety and greatest # of torrents. Pedro's has the strictest quality standards. Various niche trackers are better for diversity in specific genres. That about sums it up ;)
Might as well ask, anything that's genre specific for R&B?Quote:
Originally Posted by ca_aok
What is good, but in all honestly google.com is the best source for music, as long as you don't need FLAC and v2 releases are ok for you.
You can generally find any album in 320kbps mp3 on google, no need to settle for V2/0. :)Quote:
Originally Posted by PancakeWaffles
All you're going to get is a bunch of differing opinions. No one music site is best. My suggestion, if you're a big music downloader then register at a few of them. Because no single site will have every album that you're looking for.
The point is I am not in sync with the music world through radio and stuff. So I usually don't know what songs are good. A good community usually shares such things, i think what? will suffice.
What do you guys think?
Why would I use a bloated (and most likely transcoded) 320 when I can get a proper V0 :ermm:Quote:
Originally Posted by ringhunterYou can generally find any album in 320kbps mp3 on google, no need to settle for V2/0. :)Quote:
Originally Posted by PancakeWaffles
ps: I'd recommend what.cd as well.
rofl!Quote:
Originally Posted by b3owulf
E**** is best.
Those which you love to listen...Quote:
Originally Posted by supercoolkid
For similar artists you can search on last.fm. Easy as that.
On topick.
It depends on you music taste, but you can try to join two biggest of them - what & waffles.
What is a V0/V2? I always use a 320 :dabs: .... pls explain.Quote:
Originally Posted by Rigel9Why would I use a bloated (and most likely transcoded) 320 when I can get a proper V0 :ermm:Quote:
Originally Posted by ringhunter
ps: I'd recommend what.cd as well.
@DeadPoet, I am doing that presently...Using the Last.Fm app on my ipod touch is really good.
But also looking for a more social interaction where I can find music recommended my people. I also checkout the Billboard top 100 and preview all songs ... If I like any, I usually download that album it comes from and then I keep track of the artist/band.
Both are LAME presets. If I remember correctly, V0 = ~245Kbits VBR, while V2 = ~192Kbits VBR. A lot of people download V0s because they make a good balance between quality and filesize. Scene music releases use the latter.Quote:
Originally Posted by supercoolkid
@anon-sbi, your telling me to stick to 320 if I want the best quality????
Well no, stick to some sort of lossless format if you want the best quality...
As for 320, the thing is that 320 is a constant bitrate of 320kbps throughout the song, meaning even for low resolution parts such as extremely quiet bits or silence, it's recording at 320kbps when it's a complete waste of space. What V0 and V2 do is record at a variable bitrate on a per-frame basis, meaning it'll use 320kbps if needed and a lower bitrate if not, decreasing the size of the file. V2 has a lower target bitrate so there shouldn't really be any frames encoded at 320, but V0 is mostly between 224-320kbps.
While 320 is technically a higher quality, the quality to size trade-off isn't good at all. That's why V0 is the most popular format to download at What/Waffles.
Also V0/V2 ensures that the LAME codec was used, which is the best MP3 encoder. 320kbps files could have come from any encoder.
Well, 320Kbit is the max quality MP3 can offer, although 320 CBR rips have this issue of compressing all parts of the audio with that bitrate, even if they're silent or barely audible, just like ca_aok said.Quote:
Originally Posted by supercoolkid
Perfect quality can only be achieved by a well-done FLAC (or any other lossless format) rip of the CD. Lossless compression makes sure no audio frequencies are sacrificed - of course, you have to deal with larger files.
APEs > FLACs (till they get corrupted at least). Honestly I'm not trying to be offensive but FLACs seem to be the biggest thing right now, while they're only popular because of its high tendency to overlook corruption/errors, but APEs are still a far superior encode format.Quote:
Originally Posted by anon-sbi
People care about the size of the file, so they save it as a FLAC rather than as a WAV (which is beautiful because it can save the different instruments to different channels, like photoshop does with layers), but APEs do that better. People reason that FLACs have more leeway for corruption, but in this day and age, with torrenting having in-built anti-corruption methods, I'm sure that's not a problem. That's not all, I'm sure a few people would be willing to code a file re-builder for APEs when/if they become a huge thing.
I'm just sick and tired of the hordes of people running around asking for FLACs when they don't know jack about quality formats (I've used APEs for as long as I remember) and probably can't even hear the difference.
/morning rant (not aimed at you anon)
Well, until today I thought all lossless formats were pretty much the same. :idunno: Probably due to my lack of interest in such content, as V0s are enough for me.Quote:
Originally Posted by ringhunter
There is no audible difference (I have no idea what the hell you're going on about with that sort of thing). If you uncompress an APE and uncompress a FLAC file of the same original WAV, the resulting WAV will be a bit for bit match.Quote:
Originally Posted by ringhunter
The only things that differentiate lossless codecs are the features included in the codec. People like FLAC because it's open source and offers good compression and uncompression speed. Also correct me if I'm wrong but APE can't handle multichannel lossless files can it?
WavPack is also a decent codec but since FLAC is being adopted as the standard, there's really no need to use anything else. The resulting audio will be bit for bit identical from the different codecs.
I never said the quality is different, I just said APEs were a far superior compression format. They scale down to a smaller size. The source code is out there, APEs are just not licensed as open source. As I said before, FLACs are only superior when handling encoding corruptions, which is a non-issue with today's filesharing protocols.
You're correct on the multichannel issue, but it's a trade-off as there's a java version of Monkey's Audio which can help it play on many different stereo (non 3.1/5.1/6.1/7.1) systems, that do not support FLAC but support java (example: most cell phones, natively).
I agree that there's not much we (I) can do, as FLAC has already been instated as the standard. I will go with it if it becomes universal, but that doesn't mean I like it. A lot of superior formats always end up dying because the consumers don't actually know what they actually want. The same way Betamax lost, the same way HD-DVD lost, it's time for APE to lose (WAV is still used as the industry standard for music recordings, it will be a while before that's outed).
Just a question... how do both relate? If a FLAC happened to be corrupted during compression and you created a torrent to upload it somewhere, your client wouldn't be able to tell the difference between that and an error-free rip, and other peers would compare what they leech against the hash in the .torrent metadata (which is that of the corrupted FLAC). :unsure:Quote:
Originally Posted by ringhunter
Unless you're talking about the files being corrupted while they download, which indeed wouldn't be a problem due to the very same reason you talk of. :)
wav > flac/ape
I assume he's talking about random filesystem errors or localized hard disk failure. While I'm not that familiar with the error redundancy in FLACs (since I don't worry about that sort of thing), they do keep internal md5 sums of the audio data only (the FLAC "fingerprint"). You can test FLACs against their own fingerprints to check for file corruption. They also have verification built into the encoding process (though so do most encoders) with the -V flag.Quote:
Originally Posted by anon-sbiJust a question... how do both relate? If a FLAC happened to be corrupted during compression and you created a torrent to upload it somewhere, your client wouldn't be able to tell the difference between that and an error-free rip, and other peers would compare what they leech against the hash in the .torrent metadata (which is that of the corrupted FLAC). :unsure:Quote:
Originally Posted by ringhunter
Unless you're talking about the files being corrupted while they download, which indeed wouldn't be a problem due to the very same reason you talk of. :)
Not really... you can't even tag WAV files (lol). Sound qualitywise they'll be identical. That's like saying RAR > AVI when the former is simply a compression of the latter.Quote:
wav > flac/ape
I don't want to have to use a non-standard java based encoder/decoder to get a feature that should be native. Does APE support sampling rates higher than 48kHz btw? Aside from slightly better compression (we're talking a few MB tops here in most cases), which is achieved by having a slower decode/encode speed, what are the other advantages that actually matter?Quote:
You're correct on the multichannel issue, but it's a trade-off as there's a java version of Monkey's Audio which can help it play on many different stereo (non 3.1/5.1/6.1/7.1) systems, that do not support FLAC but support java (example: most cell phones, natively).
yes, but you seem to forget that wav audio files can be read on any player.Quote:
Originally Posted by ca_aok
that's what makes the difference for me.
for me TT
:rolleyes: :)Quote:
Originally Posted by Techno_FAN
I have to agree with him on this one as the flac players i use now arent as user friendly and often have bugs in them that i wouldnt experience with say WMP or something preloaded onto the computer...Quote:
Originally Posted by cinephiliayes, but you seem to forget that wav audio files can be read on any player.Quote:
Originally Posted by ca_aok
that's what makes the difference for me.
What.CD is the best in terms of archive size.
Its closely followed by Pedro's as it has a mixture of new or mainstream music as well as old school stuff.
For Jazz, Classical and world.. E is pretty good.
//n00bEdit: Try to use the 'search' button next time.
It's highly dependent on your tastes, if you listen to mostly mainstream, or old popular music, what.cd or waffles should do great for you. Stay away from mediafires, rapidshares and the like unless you don't mind a few trannys here and there.
@n00bz0r, I did search before this. I dint any relevant searches. Maybe the reason is that I dint try hard enough. But yeah this tread has turned out to be productive I must say. Now I happen to have a small idea as to what encoder and stuff to use :D
Thank you anon-sbi and ca_aok.... maybe others will find this thread helpful too.
What.cd and waffle it is for now.
I'm new to what.cd and it's great. Seems to have everything that I want; so I guess I can't really complain.