Quote:
Reed: So, we’re really *just* getting started with Mark [Frost] on the draft. Today was actually our first day of really getting down to work. It’s exciting because I think Mark is a really, really smart writer. Here’s a guy who wrote TWIN PEAKS, and before that did episodes of THE SIX MILLION MAN, and, then, he’s written novels. He’s just a smart guy. And he’s a longtime fan of THE FANTASTIC FOUR. So, to me, he has a healthy respect for the source material, but he also, like myself, is really, really concerned with making FANTASTIC FOUR relevant, and interesting, and exciting now.
Beaks: Is the idea, as far as you can say, is there still an idea of going retro with it? Has that decision been made?
Reed: There was talk at one point of making it retro, but I think we’re probably not going to do that.
Beaks: I read about the HARD DAY’S NIGHT idea, which I loved, but that might alienate some comic book fans that want something a little more serious.
Reed: I mean, there’s elements… the things that make FANTASTIC FOUR different than other characters in the Marvel Universe is that idea that they’re daytime superheroes. There are no secret identities, and they’re part of the cultural landscape of New York and L.A. But we didn’t want to make a movie that was *all* about that. The trick with these movies, too, is that you’re working from forty years of source material, and it’s really kind of distilling down the heart and soul of what the movie is, so it’s satisfying as an origin story, but also it stands on its own as a movie. *And* the fact that all the things that made the comic so innovative in the early-60’s – that made it so different – all of those things have become clichés now. So you can’t always rely on those things.
I think that would actually be cool if it was a 60's throwback...because really thats where the comic characters belong, that why in recent years they have been so out of place.